For the last two years I’ve served as the online Mentoring Program Coordinator for the Veterans Writing Project. In the role, I arranged approximately 80 partnerships between aspiring veteran (and some active-duty) writers and seasoned authors, teachers, and writing coaches. It’s been rewarding, and not just because I think I’ve played a part in helping veterans find their writing voices. Equally gratifying has been meeting the talented, generous volunteers who have offered substantial, generous feedback and inspiration to veterans near the beginning of their writing journeys. The focus of Time Now is literary fiction and poetry (and some memoir), most of it authored by veterans with advanced degrees and published by big-time publishers and periodicals. My work with the VWP, on the other hand, has been at the grassroots level. Trying to understand the hopes of VWP aspiring writers has been a marked counterpoint to discerning the more sophisticated concerns of, say, MFA-trained veterans competing for National Book Awards. I won’t say that being the Mentoring Program Coordinator has necessarily kept me in touch with veteran-writing street (I’m a retired 05 with a PhD pushing 60, after all), but to the extent that I have helped anyone at all, I like to think that my work has aided fellow veterans who have not had the advantages I’ve had.
The veteran writers cover a wide range demographically. Many have been Vietnam veterans, still trying to sort out their war experiences fifty years later. Most though are younger—Iraq and Afghanistan veterans—and about half have been women. The majority of aspirants are writing memoir, with fiction and poetry the next largest genres, but authors of articles, essays, screenplays, drama, song, and mixed-media genres have all been well-represented. Many are dealing with traumatic experiences, have not had happy tours in uniform, or seem not to be prospering now—I’ve had many veterans without computers of their own send me drafts tapped out on phones or public library terminals. While some vet-writers have dreamed openly of commercial success, many more have couched their desire to write in terms of therapy, search for understanding, and desire to record and document. I’ve long since lost track of the number of Mentor Program vet-writers who have placed pieces in print, which is great, but the real reward has come in heartfelt testimonials vet writers have sent me thanking me for putting them in touch with their mentors.
To the mentors—thank you. Several mentors are friends and a few are familiar names to readers of Time Now, but most I will never meet, though I’ve enjoyed getting to know you and your own work electronically. It’s inspiring to know that there are people like you out there—interested in writing and ready to invest in the lives of strangers.
It’s time now (no pun intended) to give up the duty, but, fortunately, a worthy successor has already volunteered to take over as Mentoring Program Coordinator: Jacob Agatucci, an Army vet now a professor at Central Oregon Community College. If you are an aspiring vet-writer with a draft of work in hand for which you would like a sympathetic reader, contact Jake at email@example.com. If you are a published writer or writing teacher or coach who would like to mentor aspiring vet-writers, write Jake at the same address. To both groups, your work is important and will be appreciated, and you will not be alone going forward.
Finally, thanks to Veterans Writing Project founder and director Ron Capps and other VWP principals such as Jerri Bell, Jim Mathews, Dario DiBattista, and Carole Florman for letting me be part of the team. Don’t ever stop what you are doing!
Veterans Writing Project Mentor Program webpage here.