This picture by Bill Putnam shows a US Army patrol taking a brief halt on top of an Afghanistan hill.
I like it for its muted color palette–grey, green, brown, some black–and the array of emotions reflected in the faces and bodies of the soldiers. Some are relaxed, others display tension. Their equipment hangs upon them not obtrusively, but organically, even the weird mounts for night vision goggles that protrude from their helmets like antennas and the M4 in the foreground that seemingly sits far too high on its bearer’s torso. The way their gazes go off in different directions and the bulb like prominence of the helmets reminds me of Larry Burrows’ great picture of a hilltop scene taken during the Vietnam War:
Burrows’ picture is far more dramatic, of course, and rightfully famous. But who’s to say the soldiers in Bill Putnam’s picture aren’t themselves minutes away from a similar scene of devastation and carnage?
Time Now: The Wars in Iraq and Afghanistan in Art, Film, and Literature 
Hi Pete,
When I first saw Putnam’s picture, I immediately noticed how closely the hillside in the background matched the camouflage. I couldn’t help but wonder if their enemies were camouflaged similarly in those hills, watching and waiting, on film, too, but hidden.
Best,
Chris Brown
In Afghanistan, the enemy hides in plain sight, Purloined Letter style. They don’t spy from remote locations, they just send someone to watch you. You’re among the people all the time, so someone in the crowd is bound to be relaying information about your movements to the enemy.
Fascinating.